The Last Sunrise: When Every Moment Becomes a First and a Last

What if your greatest love story began with your final chapter?

Once again, Amazon Prime Video has demonstrated that coming-of-age stories are far from dead. If anything, the genre appears to be experiencing another cultural revival, raising an intriguing question: Why are audiences continuing to return to stories about young people trying to figure out who they are, where they belong, and what kind of life they want? Perhaps it is cultural transference, the process by which one generation inherits familiar stories and then reshapes them according to its own experiences and problems which are more often than not caused by those they inherited it from. Or perhaps we are witnessing something even more interesting: an untapped audience demanding stories that reflect a generation that has not always felt adequately represented by the narratives handed down to it.

Time will ultimately tell us what this moment in popular culture means. Historians and cultural critics will have far more to say about it than any individual review possibly can. But from the perspective of pop culture, there is something difficult to ignore. A younger generation appears to be creating new markets by creating new demands. It wants to see itself reflected on screen—not necessarily because it wants to reject the generations that came before it, but because it wants to be heard, understood, and, perhaps most importantly, taken seriously. That makes the resurgence of the coming-of-age genre particularly fascinating. These stories may represent more than entertainment; they may be helping define a new literary and cultural moment within Western civilization, revealing how a younger generation understands relationships, identity, adulthood, conflict, and its place in an increasingly complicated world.

And The Last Sunrise enters that conversation at an interesting moment.

Directed by Carlson Young, the film is another adaptation of a novel by Anna Todd, continuing a relationship between contemporary literature and screen entertainment that has become increasingly important to the way younger audiences consume stories. However, The Last Sunrise comes with an interesting disadvantage that becomes increasingly difficult to ignore: time.

Contemporary entries in the same coming-of-age and romance space like Off-Campus, Sterling Point, Maxton Hall, and others were given the luxury of episodic storytelling. With an entire season, or sometimes multiple seasons, these productions can allow relationships to develop, characters to breathe, and complicated storylines to unfold at a pace that feels natural to the audience. The Last Sunrise does not have that luxury. It was only given roughly two hours to accomplish what a television series might spend ten or twenty hours developing. That creates an immediate challenge when adapting a 384-page novel. There is simply a fundamental difference between asking an audience to spend two hours with a story and giving them an entire season to live inside it. And the comparison becomes even more interesting when considering the size of the source material. The Last Sunrise is longer than Maxton Hall and occupies comparable territory in length to My Fault (Culpa Mía) and its English-language adaptation both of those adaptations were given not one but two movies, the Spanish version given a third to end the trilogy beautifully.

The result is a question of adaptation rather than simply quality: Can a roughly two-hour film realistically do justice to a 384-page coming-of-age story that was written to develop over hundreds of pages? Perhaps it can but something inevitably has to give which tends to be the pace of story development. Characters may lose depth. Relationships may accelerate. Important conflicts may be compressed or eliminated entirely. Moments that carried emotional weight on the page may receive only seconds on screen. And that may ultimately be the biggest challenge facing The Last Sunrise.

The story opens with what can be understood as the first major clue to and perhaps the very reason behind—the title The Last Sunrise. The protagonist, Oriah, discovers that her life is about to become considerably more complicated when the future she believed she had time to experience is suddenly accelerated. The ordinary process of coming of age the gradual movement from adolescence toward adulthood, with all the uncertainty, discovery, mistakes, relationships, and choices that come with it is no longer something she can experience at her own pace. Her window of time is closing faster than she ever expected. That is where the title begins to take on its meaning and the development of the story begins to unfold.

Therefore, The Last Sunrise is not simply about growing up. It is about what happens when growing up is no longer something you get to choose the pace of. Oriah is forced to confront adulthood, love, identity, and the future with a sense of urgency that transforms what might otherwise have been a familiar coming-of-age story into something far more consequential. And if Oriah’s life was going to be put on fast-forward, there was perhaps no better and certainly no more complicated place for that transformation to begin than where her family’s story began. She finds herself drawn back to her mother’s hometown and home country as her mother pursues plans to purchase land and build a resort. What initially appears to be an exciting opportunity quickly becomes another complication in Oriah’s already rapidly changing life. Returning to the place her mother once called home forces Oriah to confront more than an unfamiliar environment; it brings her face-to-face with family history, identity, belonging, and a past she never fully experienced herself. And, of course, the resort comes with its own dilemma.

The setting, in this story, is far more than a backdrop it is essential to the story itself. It gives the film cultural and traditional depth while establishing one of its most compelling themes: the tension between generations over the past they inherited. At the center of that tension is a familiar generational conflict. The older generation, unwilling or perhaps unable to confront the parts of their own past they once fled, attempts to create distance by simply erasing them. But the past does not disappear simply because someone refuses to talk about it. And that silence becomes the foundation for the generational divide that follows. Her mother in this case is the museum quality boomer or Generation X, where everything tends to be about money, their own selfish ambitions and the excuse that they are doing it for their children when in reality that is never the case.

The younger generation wants something the older generation has never fully allowed them to have: a relationship with where they came from. They want to understand the places, people, traditions, and experiences that shaped their families, even when those things are complicated or uncomfortable. But they are forced to discover that you cannot inherit a history that someone has deliberately kept hidden from you. It is within this tension that Oriah’s story begins to take another unexpected turn. Only moments after arriving in her mother’s hometown, Oriah encounters Julian Garcia, the story’s eventual love interest, under perhaps the most awkward circumstances imaginable, a chance meeting on a nude beach. What initially appears to be an embarrassing and almost comical introduction soon becomes something considerably more important. Julian is not simply a new romantic interest, he is connected to a missing piece of her mother’s past.

Once Julian is introduced, the story begins to accelerate and perhaps that sudden change in pace is intentional. It mirrors Oriah’s own shifting perspective as she begins to accept that her time may be more limited than she ever imagined. For much of the story, Oriah is struggling against the inevitability of her declining health. But once she stops fighting what she cannot control, something changes. Instead of measuring her life by how much time remains, she begins measuring it by how much life she can still experience. That creates an intriguing mindset: every experience can simultaneously feel like a first and a last. A first because she is determined to experience things she may have otherwise postponed; a last because she knows she may never have the opportunity to experience them again. Her relationship with Julian develops within that same emotional framework. Their connection moves quickly because, for Oriah, there is little reason to wait for tomorrow when tomorrow is no longer guaranteed. Romance, discovery, adventure, and intimacy all take on a greater sense of urgency but there is one problem, Julian doesn’t know the reason why. Oriah keeps the truth about her health and the possibility that their relationship may have an expiration date hidden from him. And that secret becomes one of the most important tensions in their relationship.

While Oriah is learning how to live as though every moment could be her last, Julian believes they are simply beginning something that might have a future. The moment when Oriah is finally forced to confront whether she can continue hiding the truth from Julian comes when she finds herself dangerously close to the very ending she has spent the story trying to outrun. Fittingly, the story brings her back to the place where she and Julian first met, creating a sense of symmetry that gives the film’s emotional arc a satisfying and painful full-circle quality.

It is here that the central conflict becomes impossible to avoid. Oriah has spent the story trying to experience as much of life as possible while protecting Julian from the reality of her condition. But eventually, she has to decide whether protecting someone from the truth is actually an act of love or simply another way of avoiding the consequences of what she knows. In a way the selfishness of her mother was manifesting in her own self.

So, Is The Last Sunrise Worth Watching? Yes but with a major caveat.

The Last Sunrise is a film worth watching, particularly for viewers who enjoy coming-of-age stories that blend romance, family history, cultural identity, and the urgency of a life suddenly placed on a shortened timeline. But it is also one of those films that leaves you wanting more. More character development. More explanation. More of the family history. More time with Oriah and Julian. And, perhaps most importantly, more of the story that exists between the pages of the novel. That question stayed with me after the credits rolled: What does this story look like in the book? What did Anna Todd intend to explore that simply could not fit into a roughly two-hour adaptation? How much of Oriah’s internal struggle, her relationship with Julian, and the family’s history was lost in the transition from page to screen?

There were a series of parallels to her mother like Julian being the son of her mothers love interest that needed more time to develop. I actually found myself watching the movie twice, partly because I wanted to see whether I had missed something the first time around. And perhaps that is the best compliment I can give the film.

The Last Sunrise may not answer every question, and its compressed runtime occasionally works against it. But it succeeds at doing something that many adaptations fail to accomplish: It made me curious about the story beyond the screen. And sometimes, the best reason to pick up the book after watching the movie is not because the movie failed to tell a story—but because it convinced you there is a much bigger one waiting to be discovered.

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Hey, readers who enjoy fantasy series!

How do you feel about "Last Time in This Series..." prologues?

(check as many as apply)

#bookstodon #reading #books #fantasy

https://dl.bookfunnel.com/gx1zsky7m4
A full union could kill us both...

#romancereaders #bookish #readingcommunity #readerscommunity #kaleidoscoperomance #readersofmastodon #whattoread #bookstoread #readers #books #romancebooks #romancereads #booklover #bookrecs #Bookstodon #romancelandia #writersofmastodon

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A book cover with a black background and a woman wearing a white shirt and white panties. Text: Sins & Iniquities, Succubus Sins, Bonus Encounter, A Paranormal Erotic Romance Short Story by Xena Xion

The Sovereign Engineer: AI Literacy for Software Professionals by Russ Miles 📖 on Leanpub!

AI is an amplifier. It magnifies whatever engineering discipline — or lack of it — already exists, which means the bottleneck was never AI's capability; it is the collaboration space you design around it.

Link: https://leanpub.com/thesovereignengineer

#Books #eBooks #LeanPublishing #SelfPublishing #Computer_programming

[...] A kavian grunted and tilted backwards, tipping over the balcony's edge and falling to the stone promenade with a sickening crunch, an arrow sticking out of the centre of his skull.

Andric blinked, and his phone buzzed again.

'I said now.'

-- Darkling, Arista Holmes, ©2026

***

Changeling and Darkling are available now! (Link in Bio)

#Fantasy #Books #Writing #Novel #Reading #writing #author #indieauthor #selfpublished #vampire #fey #contemporaryfantasy

100 LLM Autopsies: What broke, why nobody noticed, and how it was found by Hatem M. is a new release on Leanpub!

A model that crashes is a good day. The dangerous failures return answers — plausible, fluent, and wrong.

Link: https://leanpub.com/llm-autopsies

#Books #eBooks #NewReleases #LeanPublishing #SelfPublishing

William Dennis Weeks Memorial Library, library in Lancaster, New Hampshire, United States.

https://en.wikipedia.org/wiki/William_D._Weeks_Memorial_Library

#libraries #books #map

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A photo of or from a library from the linked website, overlaid on a cropped world map where it's located.

Was talking with @jennifer and we agree on this - growing up, we saw the climate crisis coming but didn't realize it would hit this soon. What we didn't see was American fascism or antivaxx becoming dominant narratives.

For me in particular, I've been in love with the idea of AI since I was little. LLMs aren't it. I've never seen AI as tooling, I guess. I've seen it as a way to eventually create beings without our physical limitations.

I'm an optimist, and I never considered capitalists seeing AI as a way to create slaves and displace workers.

I'm going to get a copy of "Blood in the Machine: The Origins of the Rebellion Against Big Tech." I've ordered it from my local book store, but it's here at Barnes and Noble too:

https://www.barnesandnoble.com/w/blood-in-the-machine-brian-merchant/1140658083?ean=9780316487740

(Please join me in boycotting Amazon.)

Anyway, the author was interviewed by #BigPictureScience in 2024.

https://bigpicturescience.org/episodes/tech-in-check

#climate #fascism #vaccines #books #luddites

STROLLING, this afternoon, down the street El-Akhdar, where silent Arab women, muffled up to the eyes, gliding noiselessly past, disappeared at my approach, to right and left, down darkling doorways in the narrow alley, I chanced to pass the Moorish shop of my friend the Hadji Omar-ben-Marabet, who, removing his pipe gravely from his mouth for a…

— Charles Grant Blairfindie Allen
https://palimpseste.vercel.app/#text/8877e8ee-cc29-4394-bbb8-81e1f2f1adfd
#lit #bookstodon #books #literature

TO HOOP. To beat. I'll well hoop his or her barrel, I'll beat him or her soundly.

A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

--
#books #literature #dictionaries #history #society #language #slang @histodons

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Image imitating a page from an old document, text (as in main toot): TO HOOP. To beat. I'll well hoop his or her barrel, I'll beat him or her soundly. A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

Book of da Month: The Last Quarter of the Moon by Chi Zijian 🦌

This is a 2005 novel by Chinese writer Chi Zijian. The Last Quarter of the Moon (额尔古纳河右岸) follows the life of a 90-year-old woman telling the story of a nomadic Evenki clan in Heilongjiang, northeast China. The work was translated into English for the first time in 2013 by Bruce Humes.

It’s a slow read with a narrative that mulls over every finer detail. If you can deal with its pacing then this will be a fascinating time of it, one that reveals an ancient way of life clashing with an unexpectedly modern setting.

90 Years of Observation in The Last Quarter of the Moon

“A long-time confidante of the rain and snow, I am ninety years old. The rain and snow have weathered me, and I too have weathered them.”

One of the key things with this book is the unsure sense of time. Reading the opening 50 pages, you’d think it’s set 300 years ago or some such. It’s only when you get into the second Part Two: Mid-Day that Chi Zijian drops a few contemporary notes.

It’s the 1930s and the Japanese invade China, then the Chinese go to war with Russia, and all the while the unnamed narrator provides details of her life well lived. And she has a lyrical, mystical way with words.

“I’m not a woman who excels at storytelling, but at this moment as I listen to the swishing of the rain and watch the dancing flames, I long for someone with whom to speak … Then let the rain and the fire listen to my tale. For I know these, like human beings, have ears too.”

The book is written from the perspective of circa 2000, the lady now having reached age 90. But everything she writes of, with the often primitive lifestyle of the Evenki people, harks back to ages gone. It’s an interesting offset, yet it does cover familiar cultural territory.

The decline of an indigenous way of life is something we’ve seen quite a lot of (think of the 1988 novel Dances With Wolves and its subsequent film adaptation).

Where The Last Quarter of the Moon differs is with its pacing. There are intricate details about the Evenki way of life, often focussing on how they lived off the land, but with particular emphasis on their sacred bond to the natural world (particularly with the local reindeer).

The heavy toll of globalisation is made clear. The secluded world of the Evenki people ends in the 1930s when Japan invades China and they’re dragged into it all, through which they attempt to maintain their close bonds as a nomadic clan. At one with nature, living off the land.

“We were unable to leave this river. We always treated it as our centre, living alongside its main tributaries. If the Argun is the palm of a hand, then its tributaries are five open fingers. They extend in different directions, illuminating our lives like flashes of lightning.”

The Last Quarter of the Moon is an insight into a disappearing way of life. Yet it is very meticulous in its focus on the Evenki people, to the point where we should think many readers will tire of the repetition. There are only so many times you want to re-read what they do with the reindeer and how much they rely on them.

The work is spread across only 300 pages, so if you’re willing to commit to that the pay off may feel profound. But it is a literary plodding way to get there, even if we must note Bruce Humes’ translation as a cosmic wonder. To make the story feel convincing for western readers took some real skill and passion.

A Bit About Chi Zijian

There’s a documentary above about Zijian that explores her family lineage. She was born in Mohe County, Heilongjiang, back in February 1964. She’s had novels published as early as 1991.

The Last Quarter of the Moon won Chi Zijian the Mao Dun Literary Prize in 2008. The award is based on the noted Chinese writer Mao Don (obviously) and is sponsored by the Chinese Writers Association.

More recently, she’s been actively involved in politics. She was a member of the Chinese People’s Political Consultative Conference (CPPCC) and in 2020 became a vice-chairwoman of the Heilongjiang province. Her most recent novel launched in the same year as Smoke Fire Sweeps Through (烟火漫卷).

She’s had 12 novels published in total, but is likely a relative unknown to many readers in the west. She certainly was to us until we spotted this book on a Waterstones shelf a few months ago. We gave it a whirl and we’re glad we did, whilst the story can falter a little at times she certainly has a poetic, lyrical way with words.

I Am Sorry to Think I Have Raised a Timid Son by Kent Russell #books #literature #dedication

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For all Russells everywhere.

More Americans need to learn about the benefits of libraries, so help spread the word.
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Weird Tales vol 15 number 05 (May 1930) - featured story: The Brain-Thief by Seabury Quinn.

#Literature #SciFi #ScienceFiction #books #bookstodon #coverart #bookart #bookcovers
#WeirdTales
#SeaburyQuinn
@books @scifi @Scifiart @sciencefiction

https://astralcomputing.com

Cover art by C. C. Senf.

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Weird Tales vol 15 number 05 (May 1930) - featured story: The Brain-Thief by Seabury Quinn. Cover art by C. C. Senf. The Unique Magazine, Edmond Hamilton, Everil Worrell, Clark Ashton Smith, Paul Ernst, G.G. Pendarves, R.C. Sandison, Earl Leaston Bell, 25¢ A man leans forward over a woman while holding a needle. Behind him a hand holding a curved knife appears coming out of the drapes from a hidden assailant. In the lower left foreground, a woman with short wavy blonde hair looks back over her shoulder toward the man, her hands clutching the thick dark fur trim of her off-the-shoulder white dress at her chest. Behind her in the midground, a man wearing a white headwrap and a dark jacket leans toward her, in one hand a small needle. The background consists of dark, shadowy drapery or cave walls in shades of black and dark brown. The color palette of the scene includes red, white, black, tan, and dark brown.

Garage sale haul today. #dvds #physicalmedia #blu-rays #vhs #books #haul

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Six VHS movies, two movies on Blu-ray, 7 DVD movies, and two books, stacked up spines showing. I also got some pastries a VHS player and a DVD VHS combo player which may or may not work.

Movie TV Tech Geeks #BooksandComics #Books 10 Books That I Knew Would Be Masterpieces From the First 10 Pages http://dlvr.it/TVDg5t

RE: https://mstdn.ca/@deborahh/117179089885986753

Good article on the realities of book promotion. Nowhere mentioned is that the book must be great or extraordinary, only that it needs to be marketed in specific ways.

This cracks me up:

> It is, of course, not possible to sway prize juries

Just this week, a major conflict-of-interest in the latest Booker Prize judging was reported. There's a history of this sort of thing. Literary jury pools are composed of swayable, corruptible humans!

https://publishingpost.com/booker-jury-chaos-the-2026-longlist-fix-nobody-will-deny/

#Bookstodon #Books #Reading

As You Wake, Break the Shell by Becky Chambers (ARC Review)

Older readers may be aware that I swore off Becky Chambers five years ago after losing patience with The Galaxy and the Ground Within and the whole touchy-feely twee snowflakery of it all.

But then I saw this was available as an ARC on Netgalley, and I thought, why not? Maybe I’m less grumpy these days.

Fair warning, this is the first volume in a duology (awkward word), and there’s a very strong feeling of hanging off a cliff at the end. At the same time, this is a novel told in a couple of different timelines, so you also know that the events of the earlier timeline will lead, somehow, to the events of the second timeline. It’s a neat trick the author pulls off: removing all the tension in one respect, but somehow building it back in in another.

Where are we? The last time I read Becky Chambers, I was reminded of Ringworld, and the character of Speaker-to-Animals. This also reminded me of Larry Niven, but in a different way. One of the interesting ideas Niven had in his “Known Space” series was that humans trying to build space colonies might make mistakes based on incomplete data sent back by unmanned probes. For example, they’d send a colony to a planet where the only habitable zone happens to be on a plateau at the top of a high mountain—which is where their probe had landed.

It’s a similar picture here in a book that my brain wants to call Break the Egg. Humanity (in the form of some kind of corporation or polity) has sent human colonists to a variety of planets. In this particular case, Fortune, the two ships crash land on a volcanic planet where the only habitable zone happens to be on a lake in a crater. Even then, the atmosphere can be poisonous, deadly if there are eruptions, so the humans scratch a living in a world in which they have to pass through airlocks to enter buildings, have the toxins washed off them, and get frequent shelter in place warnings.

The colonists have been abandoned by the Mothership, with the message that, if they can build their own space-faring civilisation, they’re welcome to catch up with Mothership and say hi.

There are not enough resources for survival on Fortune, so the colonists have cleverly used genetic engineering to domesticate space-born creatures who can be piloted by cyborg humans in order to mine ice and other minerals from two moons. These creatures are called rorqual, and one of our protagonists is Cora, a rorqual pilot. She is able to communicate with her charge using hand-wavy telepathic implants. The experience is full-on and overwhelming, with disturbing side effects.

The other protagonist is Signy, a botanist with a hush-hush sideline. In the two timelines, we follow the two as they meet, fall in love, and negotiate the difficult conditions on Fortune—but also as they live together a decade or so later in domestic bliss in a completely different place, Cypsela—a moonlet orbiting a planet called Solace.

What we wonder is, how do they get there?

There are a number of tropes familiar to Becky Chambers readers. A petit-bourgeois character who has a little workshop or shop, who makes a small but valuable living helping people who have been let down by the system. (In a Becky Chambers utopia, people rub along through trade and barter and friendship—and rub against bureaucracy and rules.) An orphan. Aliens who experience the universe with a completely different set of senses. Who don’t, goes the metaphor, see the same colours as us, though they do perceive something. These are all familiar ideas from the Wayfarers books, handled here in a less annoying way than in that last entry. It’s still twee at times, but also moving and empathetic, and interested in big ideas like love and ethics.

On the strength of this, I’m looking forward to the second in the duology.

The Man in the High Castle by Philip K. Dick | Elle's Sci Fi Book Club
#ElleCordova #ScienceFiction #SciFi #Books

https://www.youtube.com/watch?v=nXW0C0Zdjm0

Eu estava a dar cabo da minha grande oportunidade; dei-lhe uma resposta que ela não queria ouvir. Mas, por uma vez na vida, senti-me decente. Não se tratava de dizer a mim mesma que era decente, mas de o ser, pura e simplesmente.
//
Pequenos vigaristas
Gillian Flynn
#livros #books #fraseslidas

https://buy.bookfunnel.com/6m3prtdymx?tid=2w4aoksm3m
Can two "monsters" find love in a world that branded them as evil?

#romancereaders #bookish #readingcommunity #readerscommunity #kaleidoscoperomance #readersofmastodon #whattoread #bookstoread #readers #books #romancebooks #romancereads #booklover #bookrecs #Bookstodon #romancelandia #writersofmastodon

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A book cover with an illustrated man in an open white shirt and black pants leaning in a doorway. Title: Secondhand Soul by S. C. Principale

Ok, but doesn't look like much of a #library containing #books?

https://www.travelandleisure.com/america-first-public-nature-library-opens-12063909

#CurrentlyReading #Books #BookSky 📚

Need any textbook and can't find it anywhere??

Visit ToF Books and request it!

We can get almost ANY text book for you at a huge discount in DRM free PDF or ePub formats!

#college #books

RE: https://mastodon.social/@everylibrary/117179866086481949

Giving anything away, whether it's #books or #government services, flies in the face of #Republican party principals. I wonder how the additional anti- #literacy drumbeat will be affected by Dolly's passing.

I like Gaunt’s Ghosts, but I’m gonna take a break and check out the Eisenhorn series.
#Warhammer
#books

Be sure to join us on 5 September as Una joins a very special TARDIS panel featuring some of the greatest Doctor Who writers currently in the game - plus loads more good stuff charting lost cities through liminal spaces and more.

**Event logistics**

Where & When: Online, Saturday 5 September

Cost: £40 + booking fee

Full details: writingtheoccult.carrd.co

Straight to the tickets: https://www.eventbrite.co.uk/e/writing-the-occult-time-and-place-tickets-1977507858237

#sciencefiction #scifi #fantasy #horror #startrek #ds9 #doctorwho #whoniverse #books

https://storyoriginapp.com/swaps/01a04421-f9a0-7efd-a8cc-2123e9e5fafd
Why do they look at her like they want to sin?

#romancereaders #bookish #readingcommunity #readerscommunity #kaleidoscoperomance #readersofmastodon #whattoread #bookstoread #readers #books #romancebooks #romancereads #booklover #bookrecs #Bookstodon #romancelandia #writersofmastodon

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A book cover with a castle in the background and a red cloth banner in the foreground surrounded by roses. Title: Knights of Sin and Secrets by KC Kingmaker

The Abors, of Burma, have great faith in pig's liver as an oracle. Colonel Dalton, of the English East Indian service, says that, finding that some members of the tribe desired to ascertain by this test the reason of his visiting them, he suggested that a simple plan would be to judge by his words and looks; to which they retorted that the words and faces of…

— Fernand Lagrange
https://palimpseste.vercel.app/#text/46f5dd00-3241-4932-a8a5-e6f8c33df354
#philosophy #bookstodon #books #literature

Yo, my review of the 25th book of 2026, William Gibson's Neuromancer, is live on The Recliner.

Sorry not sorry, this may ramble a little...I'm a crazed Gibson fanboi.

https://www.the-recliner.com/the-twenty-fifth-book-of-2026-neuromancer-by-william-gibson/

#books #bookstodon #bookreviews

The Iliad completed. Let the Odyssey begin.

Audra McDonald's narration of The Iliad is marvelous. I did a read-along which is not something I normally do.

Claire Danes narrates The Odyssey.

Of course I'm reading Emily Wilson's translation and of course I heard she is planning a do-over but I don't care because I think a full re-translation is ridiculous and I want to finish this so I can watch Nolan's movie with at least a basic understanding of the story/history.

#Books

#beatthebacklist #bookchallenge Day 14 - Disaster - The Fifth Season - NK Jemisin #nkjemisin #fifthseason #thebrokenearthtriology #books #bookstagram #hugowinner #booktok #fantasy #sciencefantasy #motherhood #ApocalypticFiction #ttrpgpodcast https://www.k-squareproductions.com/gmbc

Agreed. ("The Dreamers" is a terrific film.) #Film #Cinema #Movies #Culture #Entertainment #Paris #France #French #Books

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A close-up of actor Louis Garrel (dark-haired, early 20s) in a dimly lit room from "The Dreamers" (2003), a terrific film about three cinema-obsessed young people in 1968 Paris. The caption on the image is, "Books, not guns. Culture, not violence."

📚️

Calculus Made Easy by Silvanus P. Thompson

🔗 https://www.gutenberg.org/ebooks/33283

#Reading #Nonfiction #Maths #Mathematics #Math #Calculus #Science #PublicDomain #ProjectGutenberg #Book #Books #Bookstodon

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CALCULUS MADE EASY

Where plastered oniomania seizes dry

https://subspacewagon.systems/where-plastered-oniomania-seizes-dry/

_
https://www.letters.directory
https://www.subspacewagon.io
https://www.poet.garden
https://www.exeunt.me/
_

@poetry
@writingcommunity

#Poetry #DisabledArtist #PoemADay #PoetryCommunity #TodaysPoem #WritingCommunity #books #humanities #amwriting #CreativeWriting #writing #art #community #literature #bookstodon #DigitalHumanities #sociology #humanRights #ableism #RuleOfLaw #Law #Library #Labor #Ethics #Education #conflict #mentalHealth

capitalism in the soil and preoccupied with false grace

https://subspacewagon.systems/capitalism-in-the-soil-and-preoccupied-with-false-grace/

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https://www.spatiotemporal.space
https://www.subspacewagon.io
https://www.poet.garden
https://www.letters.directory
__

@poetry
@writingcommunity

#Poetry #DisabledArtist #PoemADay #PoetryCommunity #Poem #TodaysPoem #WritingCommunity #books #humanities #amwriting #CreativeWriting #writing #art #community #literature #DigitalHumanities #sociology #humanRights #ableism #RuleOfLaw #Law #Library #Labor #Ethics #Education #conflict

Race Matters by Cornel West #books #literature #dedication

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To my wonderful son Clifton Louis West who combats daily the hidden injuries of race with the most potent of weapons— love of self and others

#books
Hypericum
https://www.fantagraphics.com/products/hypericum

Movie TV Tech Geeks #BooksandComics #Books #Fantasy #HarryPotter The 10 Best-Selling Fantasy Books of All Time, Ranked http://dlvr.it/TVDY9D

Movie TV Tech Geeks #BooksandComics #Books #JurassicPark #Thriller The 10 Greatest Techno-Thriller Books of All Time, Ranked http://dlvr.it/TVDYBM

Movie TV Tech Geeks #BooksandComics #Books #Fantasy #TheHungerGames 8 Essential Young Adult Books, Ranked http://dlvr.it/TVDYBY

Okay, friends! The #NarratessSale is on, and here I come with my usual recommendations thread! Some old favourites, some newcomers!

Read indie, support indie authors! You can find nearly eeeeverything on the https://indiebook.sale array. These are some books I already enjoyed.

#bookstodon #books #indiebooks #indieauthor #indieaugust #fantasy #scifi

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The banner of the Narratess Indie Book Sale indiebook.sale Fantasy, Sci-fi, Horror 29-31 August

The post-capitalist constitution
https://subspacewagon.systems/the-post-capitalist-constitution/

Amongst the downfall of sleeping armies
https://subspacewagon.systems/amongst-the-downfall-of-sleeping-armies/

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https://www.subspacewagon.io
https://www.poet.garden
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@poetry
@writingcommunity

#Poetry #DisabledArtist #PoetryCommunity #Poem #WritingCommunity #books #humanities #amwriting #CreativeWriting #WritersOfMastodon #writing #art #community #literature #bookstodon #DigitalHumanities #sociology #humanRights #ableism #RuleOfLaw #Law #Library #Labor #Ethics #Education

A new review for "The Nod/Wells Timelines - Volume 1" from another satisfied reader!

Get the book: https://books2read.com/b/nwt

If you love speculative fiction and want to see what you've been missing, it's indeed one of the better places to start.

#specfic #scifi #horror #thriller #book #books #read #reads #reading #readingcommunity #booksofmastodon #readersofmastodon #whattoread #bestreads #bestspecfic #bestscifi #bestbooks #NWT #NodWellsTimelines #TheNodWellsTimelines #bookstodon #booktodon

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A review of Michael Shotter's "The Nod/Wells Timelines - Volume 1" from Goodreads

I recommend Perdido Street Station by China Mieville #book #books #bookreview #bookstodon

https://reademall.blogspot.com/2026/08/perdido-street-station-china-mieville.html

#books
“Does this book complicate or enrich the story we think we know about literature and culture?”
https://www.pw.org/content/redefining_canon_from_the_outside

If you use #Kobo in Canada or the US, my books are all $4.99 or less right now as part of their #BackToSchool sale!

https://www.kobo.com/ca/en/series/the-arcanium

#reading #KidsBooks #Books #YAbooks #MiddleGrade #fantasy

Kristen Arnett has a pretty good, short answer for an author who asks how they can know if they're dealing with a good editor or a bad editor. (The problem, maybe, is that we don't carry clear signals, like sparkly pink wands or pointy black hats.) It's the first of three answers this week in the linked column.

Tl;dr: A good editor wants your work to be the best version of your work. A bad editor wants it to be like their own work.

#books #AmWriting

https://lithub.com/help-my-writing-group-think-my-latest-story-was-really-funny-it-wasnt-meant-to-be/

What’s everyone #reading this weekend?
#books #BookSky

We’re here to support libraries. Take action at action.everylibrary.org.

#library #libraries #read #reading #book #books #librarylove #author #publiclibrary #literature #lit