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Search results for tag #scifi

[?]Walt » 🌐
@astralcomputing@bookstodon.com

Please BOOST!
SPECIAL COLLECTORS EDITION of Tau Zero by Poul Anderson

astralcomputing.com/books/tau-

or see the full collection here:

astralcomputing.com



@books @scifi @Scifiart @sciencefiction

Art by Vincent DiFate

This Easton Press Tau Zero volume shows a deep burgundy full-leather binding with crisp 22kt gold accents across both the spine and front board 
 - 
The cover artwork, by Vincent DiFate, features a finely detailed gold hourglass set within a field of scattered stars and orbital motifs, all rendered with sharp, even impressions. The Greek tau symbol appears prominently at the top of the spine and again on the front 
 - 
The spine includes raised hubs, with TAU ZERO and POUL ANDERSON stamped in gold beneath a small decorative panel showing another hourglass illustration. The gilded 22kt gold page edges reflect smoothly
 - 
From a single owner private collection, stored in dust-free bookcases within a stable, dry climate. Its archival acid-neutral, paper shows no discoloration, and the smyth-sewn binding with concealed muslin joints sits perfectly tight, indicating the volume has not been read or handled beyond careful shelving 
 - 
The leather shows no rubbing or softening, and the 22k gold stamping remains bright without flaking. A pristine bookplate is affixed inside the front cover, unused and unmarked
 - 
This collector's edition includes an introduction by Hal Clement and belongs to the Masterpieces of Science Fiction series by The Easton Press. Overall condition is pristine, with no warping, wear, or structural flaws visible on the cover, spine, or edges, presenting as an exceptionally well-preserved example of this limited production

Alt...This Easton Press Tau Zero volume shows a deep burgundy full-leather binding with crisp 22kt gold accents across both the spine and front board - The cover artwork, by Vincent DiFate, features a finely detailed gold hourglass set within a field of scattered stars and orbital motifs, all rendered with sharp, even impressions. The Greek tau symbol appears prominently at the top of the spine and again on the front - The spine includes raised hubs, with TAU ZERO and POUL ANDERSON stamped in gold beneath a small decorative panel showing another hourglass illustration. The gilded 22kt gold page edges reflect smoothly - From a single owner private collection, stored in dust-free bookcases within a stable, dry climate. Its archival acid-neutral, paper shows no discoloration, and the smyth-sewn binding with concealed muslin joints sits perfectly tight, indicating the volume has not been read or handled beyond careful shelving - The leather shows no rubbing or softening, and the 22k gold stamping remains bright without flaking. A pristine bookplate is affixed inside the front cover, unused and unmarked - This collector's edition includes an introduction by Hal Clement and belongs to the Masterpieces of Science Fiction series by The Easton Press. Overall condition is pristine, with no warping, wear, or structural flaws visible on the cover, spine, or edges, presenting as an exceptionally well-preserved example of this limited production

    [?]Solar Phasing » 🌐
    @solarphasing@mastodon.social

    [?]Walt » 🌐
    @astralcomputing@bookstodon.com

    Prices Reduced AGAIN!
    Please Boost!

    Only 63 books left in my collection! Get yours before the collapse so you will have something beautiful and long-lasting to read...


    @books @scifi @sciencefiction

    astralcomputing.com

      [?]Curt Johnson - Indie Genius » 🌐
      @indiegenius@mastodon.social

      Movie TV Tech Geeks Forget Dune, This Overlooked Sci-Fi Book Is the Space Opera Streaming Has Been Waiting For dlvr.it/TTnPV8

        [?]Ami Angelwings » 🌐
        @ami_angelwings@urusai.social

        What is your favorite work/series/art/etc that starts with the letter "B"?

        Also include why you like it!

        The rules are lax, you can include or exclude "A" or "The" as you want (e.g. The Predator can go under T or P). You can also remove the franchise name if you want (e.g. Star Trek: Voyager can go under S or V).

        Include both the hashtags and so we can sort the answers.

        You can also answer the previous too if you missed it! There's no deadline.

          [?]Dave Dawkins (D. Harrigon) [He/Him] » 🌐
          @golgaloth@writing.exchange

          Reviews! 4*, 5*, that weird feeling of uncomfortable happiness that comes from being praised (does anyone else get that?) Check them out:

          goodreads.com/review/show/8733

          goodreads.com/review/show/8804

          And do jump along to the Kickstarter to hit the Notify me on launch button.

          kickstarter.com/projects/dharr

          The stark black of the cover is contrasted strongly with the crimson text and image of a severed ant head. Desolation: The Hollow Drum. Lies have consequences.

          Alt...The stark black of the cover is contrasted strongly with the crimson text and image of a severed ant head. Desolation: The Hollow Drum. Lies have consequences.

            [?]Solar Phasing » 🌐
            @solarphasing@mastodon.social

            [?]Dr. Or M. Bialik » 🌐
            @ombialik@mastodon.world

            July is almost over, and with it the Smashwords summer sale. Last chance to get my books for half price. Got a horror/space opera and a sci-fi spy thriller there waiting for you to get lost in.

            smashwords.com/profile/view/Or

            (As usual, if even that is too much for you to be able to spend right now, I am always happy to offer review copies for those willing to commit to spreading the good word - contact me)

              [?]Ben! (Boo!) » 🌐
              @famousblueben@mas.to

              This afternoon I'm going to begin reading The Dispossessed by Ursula Le Guin after loving The Left Hand of Darkness and Ursula's whole super lefty approach to and writing.

                [?]Walt » 🌐
                @astralcomputing@bookstodon.com

                Died this day: 07/30/1975 (b. 05/23/1921) James Benjamin "Jimmy" Blish was an American science fiction writer.
                He is best known for his Cities in Flight novels and his series of Star Trek novelizations written with his wife, J. A. Lawrence. "A Case of Conscience" (1959) won the Hugo Award.

                en.wikipedia.org/wiki/James_Bl


                @books @scifi @Scifiart @sciencefiction

                astralcomputing.com

                Art by Fred Gambino

                Book cover for "A Case of Conscience" by James Blish, featuring cover art by Fred Gambino. The image is a vertical composition with a dominant color palette of bright orange, yellow, red, and contrasting deep blues. Along the left edge is a solid, bright yellow vertical stripe containing the text "SF MASTERWORKS" in black capital letters. In the upper right quadrant, the author's name "JAMES BLISH" is printed in large, dark blue sans-serif capital letters. Directly underneath, the book title "A Case of Conscience" is rendered in a black serif typeface. Below the title, smaller capitalized black text reads "WINNER OF THE HUGO AWARD FOR BEST NOVEL".

The central illustration depicts an alien landscape. In the right foreground, a man's face is shown from the chest up, looking forward. He has brown, wavy hair and wears a futuristic metallic spacesuit with circular indentations around the neck. Visible inside the suit collar is a black clerical shirt with a white tab, accompanied by a small silver cross hanging from a thin chain. Bright yellow light illuminates his face from the right, while deep blue and red shadows cover his left side.

To his left in the mid-ground stands a slender, bipedal reptilian alien creature with scales, large dark eyes, and a narrow head, dressed in an ochre tunic. In the background, two stylized palm-like trees with dark purple fronds and knobby trunks stand against an orange-to-yellow gradient sky. A small grey spacecraft floats in the upper left sky.

                Alt...Book cover for "A Case of Conscience" by James Blish, featuring cover art by Fred Gambino. The image is a vertical composition with a dominant color palette of bright orange, yellow, red, and contrasting deep blues. Along the left edge is a solid, bright yellow vertical stripe containing the text "SF MASTERWORKS" in black capital letters. In the upper right quadrant, the author's name "JAMES BLISH" is printed in large, dark blue sans-serif capital letters. Directly underneath, the book title "A Case of Conscience" is rendered in a black serif typeface. Below the title, smaller capitalized black text reads "WINNER OF THE HUGO AWARD FOR BEST NOVEL". The central illustration depicts an alien landscape. In the right foreground, a man's face is shown from the chest up, looking forward. He has brown, wavy hair and wears a futuristic metallic spacesuit with circular indentations around the neck. Visible inside the suit collar is a black clerical shirt with a white tab, accompanied by a small silver cross hanging from a thin chain. Bright yellow light illuminates his face from the right, while deep blue and red shadows cover his left side. To his left in the mid-ground stands a slender, bipedal reptilian alien creature with scales, large dark eyes, and a narrow head, dressed in an ochre tunic. In the background, two stylized palm-like trees with dark purple fronds and knobby trunks stand against an orange-to-yellow gradient sky. A small grey spacecraft floats in the upper left sky.

                  [?]Walt » 🌐
                  @astralcomputing@bookstodon.com

                  Please BOOST!
                  SPECIAL COLLECTORS EDITION of A Case of Conscience by James Blish

                  astralcomputing.com/books/a-ca

                  or see the full collection here:

                  astralcomputing.com



                  @books @scifi @Scifiart @sciencefiction

                  Art by Ellen Sull Farley

                  Exquisite Collector's Edition copy of: A Case of Conscience by James Blish from The Easton Press's Masterpieces of Science Fiction Collection, meticulously maintained by a single owner in a private collection, stored carefully in dust-free bookcases in a dry climate. Bound entirely in rich, black genuine leather, the volume is adorned with exquisite original artwork by Ellen Sull Farley, precisely accented in brilliant 22kt gold detailing
 - 
The front cover prominently features a striking illustration in 22kt gold foil depicting a detailed, symbolic image: a tree flourishing upward into branches, rooted deeply within a globe representing Earth, encapsulating the profound ethical and existential themes explored in the novel. Tiny golden stars surround the central design, adding elegance and cosmic depth to the artwork
 - 
The spine, luxuriously hubbed, displays the title A CASE OF CONSCIENCE and the author JAMES BLISH prominently in gleaming 22kt gold lettering, accompanied by intricate decorative motifs at both the top and bottom
 - 
Printed on archival-quality acid-neutral paper to ensure longevity, the pages feature gilded edges that complement the gold accents of the cover. Expert craftsmanship includes traditional smyth-sewn binding and concealed muslin joints, providing exceptional durability. The volume contains a pristine, untouched bookplate inside the front cover and features an introduction by Walter E. Meyers. Flawless, pristine, unread, and as new

                  Alt...Exquisite Collector's Edition copy of: A Case of Conscience by James Blish from The Easton Press's Masterpieces of Science Fiction Collection, meticulously maintained by a single owner in a private collection, stored carefully in dust-free bookcases in a dry climate. Bound entirely in rich, black genuine leather, the volume is adorned with exquisite original artwork by Ellen Sull Farley, precisely accented in brilliant 22kt gold detailing - The front cover prominently features a striking illustration in 22kt gold foil depicting a detailed, symbolic image: a tree flourishing upward into branches, rooted deeply within a globe representing Earth, encapsulating the profound ethical and existential themes explored in the novel. Tiny golden stars surround the central design, adding elegance and cosmic depth to the artwork - The spine, luxuriously hubbed, displays the title A CASE OF CONSCIENCE and the author JAMES BLISH prominently in gleaming 22kt gold lettering, accompanied by intricate decorative motifs at both the top and bottom - Printed on archival-quality acid-neutral paper to ensure longevity, the pages feature gilded edges that complement the gold accents of the cover. Expert craftsmanship includes traditional smyth-sewn binding and concealed muslin joints, providing exceptional durability. The volume contains a pristine, untouched bookplate inside the front cover and features an introduction by Walter E. Meyers. Flawless, pristine, unread, and as new

                    [?]Walt » 🌐
                    @astralcomputing@bookstodon.com

                    Weird Tales vol 13 number 06 (June 1929) - featured story: The House of Golden Masks by Seabury Quinn




                    @books @scifi @Scifiart @sciencefiction

                    astralcomputing.com

                    Cover art by Hugh Rankin

                    Weird Tales vol 13 number 06 (June 1929) - featured story: The House of Golden Masks by Seabury Quinn. Cover art by Hugh Rankin.

The Unique Magazine. 25c.

In a dark, cavernous interior, a man in dark armor lunges toward a woman standing in the foreground. The woman, positioned on the left, has dark hair adorned with a red flower ornament and wears small butterfly ornements on otherwise bare breast and bikini bottom, with a dark patterned cloak resting against her as she leans back with one arm extended. Behind her, a man with brown hair and a tan head covering crouches and lunges forward while wearing a light-colored garment. A man in the foreground, in a dark suit of armor lunges forward while holding a dagger in his hand. The setting features a decorative pillar and a large stone face carved into the wall, with a color palette of red, black, white, dark blue, and tan.

                    Alt...Weird Tales vol 13 number 06 (June 1929) - featured story: The House of Golden Masks by Seabury Quinn. Cover art by Hugh Rankin. The Unique Magazine. 25c. In a dark, cavernous interior, a man in dark armor lunges toward a woman standing in the foreground. The woman, positioned on the left, has dark hair adorned with a red flower ornament and wears small butterfly ornements on otherwise bare breast and bikini bottom, with a dark patterned cloak resting against her as she leans back with one arm extended. Behind her, a man with brown hair and a tan head covering crouches and lunges forward while wearing a light-colored garment. A man in the foreground, in a dark suit of armor lunges forward while holding a dagger in his hand. The setting features a decorative pillar and a large stone face carved into the wall, with a color palette of red, black, white, dark blue, and tan.

                      [?]Solar Phasing » 🌐
                      @solarphasing@mastodon.social

                      [?]Walt » 🌐
                      @astralcomputing@bookstodon.com

                      Born this day: 07/29/1929 (d. 12/22/2015) George Clayton Johnson was an American science fiction writer, who co-wrote with William F. Nolan the novel Logan's Run, the basis for the MGM 1976 film.

                      en.wikipedia.org/wiki/George_C


                      @books @scifi @Scifiart @sciencefiction

                      astralcomputing.com

                      Art by William Hofmann

                      Logan's Run. A Novel by William F. Nolan & George Clayton Johnson. Cover art by William Hofmann.

This dynamic, action-oriented illustration features a futuristic, stylized cityscape. The primary subjects are a man and a woman depicted in mid-motion, as if fleeing.

In the foreground, a muscular, bald man dominates the right side of the frame. Shown from the waist up in profile, he wears a tight-fitting, bright blue sleeveless bodysuit. His right arm extends toward the viewer, his palm facing up while cradling a small, glowing purple object. His skin features warm, golden-yellow highlights and deep shadows, suggesting intense side lighting.

Behind him and to the left, a woman with long, flowing brown hair is captured running toward the right. She wears a red, one-piece athletic outfit, her body angled toward the background.

The background consists of an abstract, futuristic cityscape with tall, curved, organic-looking structures. These dark buildings feature glowing accents, including a prominent red circular window on a nearby spire. The sky is a hazy gradient of pale lavender and light grey, set above a dark, indistinct ground.

The lighting is dramatic and high-contrast, featuring bright highlights against deep shadows. The bold, saturated color palette of bright blue, deep red, and vibrant purple contrasts with the muted, atmospheric background. The painterly textures and visible brushstrokes enhance the sense of movement and energy.

                      Alt...Logan's Run. A Novel by William F. Nolan & George Clayton Johnson. Cover art by William Hofmann. This dynamic, action-oriented illustration features a futuristic, stylized cityscape. The primary subjects are a man and a woman depicted in mid-motion, as if fleeing. In the foreground, a muscular, bald man dominates the right side of the frame. Shown from the waist up in profile, he wears a tight-fitting, bright blue sleeveless bodysuit. His right arm extends toward the viewer, his palm facing up while cradling a small, glowing purple object. His skin features warm, golden-yellow highlights and deep shadows, suggesting intense side lighting. Behind him and to the left, a woman with long, flowing brown hair is captured running toward the right. She wears a red, one-piece athletic outfit, her body angled toward the background. The background consists of an abstract, futuristic cityscape with tall, curved, organic-looking structures. These dark buildings feature glowing accents, including a prominent red circular window on a nearby spire. The sky is a hazy gradient of pale lavender and light grey, set above a dark, indistinct ground. The lighting is dramatic and high-contrast, featuring bright highlights against deep shadows. The bold, saturated color palette of bright blue, deep red, and vibrant purple contrasts with the muted, atmospheric background. The painterly textures and visible brushstrokes enhance the sense of movement and energy.

                        [?]Walt » 🌐
                        @astralcomputing@bookstodon.com

                        Weird Tales vol 13 number 05 (May 1929) - featured story: The Scourge of B'Moth by Bertram Russell.




                        @books @scifi @Scifiart @sciencefiction

                        astralcomputing.com

                        Cover art by C. C. Senf

                        Weird Tales vol 13 number 05 (May 1929) - featured story: The Scourge of B'Moth by Bertram Russell. Cover art by C. C. Senf.

The Unique Magazine, The Scourge of B'Moth by Bertram Russell, 25¢

A man in a red tunic holds a limp woman aloft above dark, murky water as a large crocodile-like creature emerges from the depths. Standing in the center with white facial markings, the man wears a red long-sleeved tunic decorated with white trim and a long red skirt. He holds the woman across his arms, with one hand supporting her torso and the other grasping her arm. The woman is positioned horizontally at the top center, wearing a white sleeveless dress with long, flowing reddish-brown hair. To the lower right, a large crocodile-like creature with scaly skin emerges from the water with its mouth open. The scene is set against dark water with white splashing and thin green wisps of mist, featuring a white banner at the bottom. The palette consists of red, white, dark green, black, and brown.

                        Alt...Weird Tales vol 13 number 05 (May 1929) - featured story: The Scourge of B'Moth by Bertram Russell. Cover art by C. C. Senf. The Unique Magazine, The Scourge of B'Moth by Bertram Russell, 25¢ A man in a red tunic holds a limp woman aloft above dark, murky water as a large crocodile-like creature emerges from the depths. Standing in the center with white facial markings, the man wears a red long-sleeved tunic decorated with white trim and a long red skirt. He holds the woman across his arms, with one hand supporting her torso and the other grasping her arm. The woman is positioned horizontally at the top center, wearing a white sleeveless dress with long, flowing reddish-brown hair. To the lower right, a large crocodile-like creature with scaly skin emerges from the water with its mouth open. The scene is set against dark water with white splashing and thin green wisps of mist, featuring a white banner at the bottom. The palette consists of red, white, dark green, black, and brown.

                          [?]Venya (he/him/dude) 🇺🇦 » 🌐
                          @venya@musicians.today

                          I used to have a children's anthology of with one about how everyone was getting on the last ship to New Earth

                          and the girl was running to her grandfather's house to convince him to come

                          but he's planting flowers

                          anyway, they miss the last ship and she's crying

                          and he says, "This is New Earth. They took the old one with them. "

                          I've been thinking about this story for like 40 years. Wish I knew who wrote it.

                            [?]Liana Brooks » 🌐
                            @LianaBrooks@mastodon.online

                            “From the battle shield you have up I’m guessing you aren’t here to flirt. How disappointing.”
                            - BODIES IN MOTION

                            📚
                            books2read.com/b/bodies-in-mot

                            Against a  dusky blue background is the cover to BODIES IN MOTION surrounded by the words: Enemies to Lovers, Genre: SciFi Romance, Maybe we can save the world together?, fallout of a civil war, literally star-crossed.

                            Alt...Against a dusky blue background is the cover to BODIES IN MOTION surrounded by the words: Enemies to Lovers, Genre: SciFi Romance, Maybe we can save the world together?, fallout of a civil war, literally star-crossed.

                              [?]Walt » 🌐
                              @astralcomputing@bookstodon.com

                              Weird Tales vol 13 number 04 (April 1929) - featured story: The Devil's Rosary by Seabury Quinn.




                              @books @scifi @Scifiart @sciencefiction

                              astralcomputing.com

                              Cover art by Hugh Rankin

                              Weird Tales vol 13 number 04 (April 1929) - featured story: The Devil's Rosary by Seabury Quinn. Cover art by Hugh Rankin.

The Unique Magazine, 25c, John Canada

A large demonic creature, a woman, and a kneeling man are set against a solid yellow field. On the left, the large demonic creature has a blue face with large eyes and fangs, and wears a red crown-like headpiece along with ornate blue, red, and gold patterned armor or robes while holding a sword. In the upper right and center, a woman with long, dark hair stands with her arms raised and one hand near her head, draped in flowing, translucent white drapery. Below her, a man with white hair kneels and looks upward while wearing a red robe. The scene is composed of red, yellow, blue, white, and gold colors.

                              Alt...Weird Tales vol 13 number 04 (April 1929) - featured story: The Devil's Rosary by Seabury Quinn. Cover art by Hugh Rankin. The Unique Magazine, 25c, John Canada A large demonic creature, a woman, and a kneeling man are set against a solid yellow field. On the left, the large demonic creature has a blue face with large eyes and fangs, and wears a red crown-like headpiece along with ornate blue, red, and gold patterned armor or robes while holding a sword. In the upper right and center, a woman with long, dark hair stands with her arms raised and one hand near her head, draped in flowing, translucent white drapery. Below her, a man with white hair kneels and looks upward while wearing a red robe. The scene is composed of red, yellow, blue, white, and gold colors.

                                Roknrol boosted

                                [?]SeaFury 🦜🍃 大家姐 » 🌐
                                @SeaFury@aus.social

                                Re-reading Neuromancer this week. Inspired by the trailer - the book is different in feel at least, but also other ways, I want to know what in particular.

                                  [?]Stars and Sabers Publishing » 🌐
                                  @starsandsabers@wandering.shop

                                  [?]Solar Phasing » 🌐
                                  @solarphasing@mastodon.social

                                  [?]Solar Phasing » 🌐
                                  @solarphasing@mastodon.social

                                  In 1895, H.G. Wells began his classic first masterpiece The Time Machine with a short lecture on the fourth dimension: Time.

                                  gwthomas.org/link-fun-in-the-f

                                  In 1895, H.G. Wells began his classic first masterpiece The Time Machine with a short lecture on the fourth dimension: Time.

                                  Alt...In 1895, H.G. Wells began his classic first masterpiece The Time Machine with a short lecture on the fourth dimension: Time.

                                    [?]Liana Brooks » 🌐
                                    @LianaBrooks@mastodon.online

                                    "Have you ever worked with Lethe before?"

                                    "I've never had the pleasure." Just as he’d never had the pleasure of being burned alive before. It was one of those little life threatening things he’d made sure to avoid.

                                    📚

                                    books2read.com/changeofmomentu

                                      [?]Zeusthecatdaddy » 🌐
                                      @zeusthecatdaddy@mastodon.social

                                      [?]Walt » 🌐
                                      @astralcomputing@bookstodon.com

                                      Weird Tales vol XIII number 3 (March 1929) - featured story: The People of Pan by Henry S. Whitehead.




                                      @books @scifi @Scifiart @sciencefiction

                                      astralcomputing.com

                                      Cover art by C. C. Senf

                                      Weird Tales vol XIII number 3 (March 1929) - featured story: The People of Pan by Henry S. Whitehead. Cover art by C. C. Senf.

The Unique Magazine, March 1929, 25c, Printed in U.S.A.

A large horned ram with short brown fur and large curved horns stands on all fours over a pile of people lying on the ground. Beneath the ram, one man lies on his back, bare and partially covered, while a second man also lies on his back, bare and partially covered, and a third man lies on his back, bare and partially covered. In the right foreground, a woman with dark hair and a headband stands with her bare torso and a patterned reddish-brown skirt, reaching upwards with both hands against a stone pedestal. This pedestal is draped with a garland of leaves and has wisps of white smoke rising from it. The background consists of a stone wall or fortification and dark green foliage under a dark sky.

                                      Alt...Weird Tales vol XIII number 3 (March 1929) - featured story: The People of Pan by Henry S. Whitehead. Cover art by C. C. Senf. The Unique Magazine, March 1929, 25c, Printed in U.S.A. A large horned ram with short brown fur and large curved horns stands on all fours over a pile of people lying on the ground. Beneath the ram, one man lies on his back, bare and partially covered, while a second man also lies on his back, bare and partially covered, and a third man lies on his back, bare and partially covered. In the right foreground, a woman with dark hair and a headband stands with her bare torso and a patterned reddish-brown skirt, reaching upwards with both hands against a stone pedestal. This pedestal is draped with a garland of leaves and has wisps of white smoke rising from it. The background consists of a stone wall or fortification and dark green foliage under a dark sky.

                                        [?]Liana Brooks » 🌐
                                        @LianaBrooks@mastodon.online

                                        Rowena took the knife and slammed it into Silar’s desk.
                                        There. Report filed.
                                        She’d been attacked.
                                        She’d survived.
                                        She was filthy.
                                        She was going to take Silar’s head off if he was responsible.
                                        He could read that all off a knife.

                                        📚
                                        books2read.com/b/changeofmomen

                                          [?]Cactuar Joe » 🌐
                                          @CactuarJoe@retro.pizza

                                          It's about 8pm EST and that means it's ONLY ONE HOUR LEFT until the weekly monster movie watch party! If you want to avoid a bunch of goofy toots, best set up a hashtag filter.

                                          If you'd like to join in, this week's movie is BEGINNING OF THE END (1957), a black and white classic about giant maneating grasshoppers! It's a hoot.

                                          The flick's available free with ads over on Tubi: tubitv.com/movies/100056094/be

                                          Or you can download from Archive.org over here: archive.org/details/Beginningo

                                          Just hit play at the top of the hour and toot along! See you there!

                                            [?]Rafael Pérez ☀️ » 🌐
                                            @rperezrosario@mastodon.social

                                            Watched Disclosure Day, and The Mandalorian and Grogu, last night and this afternoon. I will watch Disclosure Day again as I think it might have more to offer than a single screening could afford. The Mandalorian and Co. was two streaming episodes stitched into one long movie. It was not terrible but in agreement with a lot of people, I found it a bit bland, and underwhelming, especially when compared to the first season of the streaming series.

                                              [?]Liana Brooks » 🌐
                                              @LianaBrooks@mastodon.online

                                              CHANGE OF MOMENTUM
                                              Rowena Lee has always hated Hollis Silar, and now they have to work together...
                                              ✨ Enemies To Lovers
                                              ✨ Knife Fights
                                              ✨ Hurt & Comfort
                                              ✨ Battle Couple
                                              ✨ Might Be Soulmates
                                              ✨ Aggressive Flirtation
                                              ✨ Let’s Take Over The World Together

                                              books2read.com/changeofmomentu

                                                [?]Assoc for Scottish Literature » 🌐
                                                @scotlit@mastodon.scot

                                                That must have been a time of happiness.
                                                The air was mild, the Campsie Fells had vines.
                                                Dirigible parties left soft sky-signs
                                                and bursts of fading music. Who could guess
                                                what they might not accomplish…

                                                —Edwin Morgan, “A Golden Age”
                                                from “Sonnets from Scotland”, published in COLLECTED POEMS (Carcanet, 1990)

                                                carcanet.co.uk/9781857541885/c

                                                Edwin Morgan
A Golden Age

That must have been a time of happiness.
The air was mild, the Campsie Fells had vines.
Dirigible parties left soft sky-signs
and bursts of fading music. Who could guess
what they might not accomplish, they had seas
in cities, cities in the sea; their domes
and crowded belvederes hung free, their homes
eagle-high or down among whitewashed quays.
And women sauntered often with linked arms
through night streets, or alone, or danced a maze
with friends. Perhaps it did not last. What lasts?
The bougainvillea millenniums
may come and go, but then in thistle days
a strengthened seed outlives the hardest blasts.

                                                Alt...Edwin Morgan A Golden Age That must have been a time of happiness. The air was mild, the Campsie Fells had vines. Dirigible parties left soft sky-signs and bursts of fading music. Who could guess what they might not accomplish, they had seas in cities, cities in the sea; their domes and crowded belvederes hung free, their homes eagle-high or down among whitewashed quays. And women sauntered often with linked arms through night streets, or alone, or danced a maze with friends. Perhaps it did not last. What lasts? The bougainvillea millenniums may come and go, but then in thistle days a strengthened seed outlives the hardest blasts.

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