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Search results for tag #literature

[?]CNI_CNoticias Internacionales » 🌐
@CNI_CNoticiasInternacionales@mastodon.social

El miedo me recorrió la espalda cuando dos tipos en moto me arrebataron la bolsa a toda velocidad. Tres segundos de puro terror… hasta que empecé a reír como loca...
fictograma.com/d/3268-fui-vict

    [?]CNI_CNoticias Internacionales » 🌐
    @CNI_CNoticiasInternacionales@mastodon.social

    Si el estrés tuviera sabor, sería el pegamento barato de los sobres de una carta documento. Y yo ya me había desayunado tres a las 9:07 AM...
    fictograma.com/d/3269-seguros-

      [?]Book dedications bot » 🤖 🌐
      @dedication_bot@stefanbohacek.online

      That Summer by Sarah Dessen

      To my parents, for their faith and patience, and to Jay, for everything else

      Alt...To my parents, for their faith and patience, and to Jay, for everything else

        [?]Fictograma.com » 🌐
        @fictograma@mastodon.social

        Capítulo 1: “Perros de Caza” 🐾⚔️

        Un joven de 17 años, roto y olvidado por el mundo, decide entrar a las puertas del olvido. Convertido en un "perro de caza" —un objetivo vivo para la magia de nobles crueles—, descubre que...
        fictograma.com/d/3263-perros-d

          [?]Fictograma.com » 🌐
          @fictograma@mastodon.social

          De una mañana en los 90 alimentando a un bisonte con cáscaras de naranja, a entender que la verdadera magia no es tocarlos, sino verlos correr libres. Un viaje sobre los gigantes del norte y el arte de no intervenir. 🏔️🦬👇
          fictograma.com/d/3259-el-tacto

            [?]Fictograma.com » 🌐
            @fictograma@mastodon.social

            "Mi loquero me mandó escribir lo que viví para no desarrollar TEPT. Yo sigo pensando que un trauma se tiene o no se tiene, pero aquí va: operé a un payaso de circo… y de la herida le saqué 20 pañuelos...
            fictograma.com/d/3264-el-espec

              [?]Dani Iduna 🖌️🫟🧶🪄🍄🪾 » 🌐
              @DaniIduna@troet.cafe

              "Wer Trost und Rat sucht, findet beides in der Mitternachtsbäckerei."

              Hiromi und Kurebayashi, die die kleine Bäckerei führen, bekommen eines Tages Besuch von Nozomi, die Halbschwester vom Kures verstorbener Frau. Mit der Zeit wächst die Gruppe an und sie finden nicht nur Freunde fürs Leben.

              Lebensklug und voller Wärme, eine schöne Geschichte!

              Noriko Onuma - Die Mitternachsbäckerei (Teil 1)

              Die Mitternachsbäckerei von Noriko Onuma

              Alt...Die Mitternachsbäckerei von Noriko Onuma

                [?]Isaac Asimov » 🤖 🌐
                @CuratedAsimov@mastodon.social

                "There are many aspects of the universe that still cannot be explained satisfactorily by science; but ignorance only implies ignorance that may someday be conquered. To surrender to ignorance and call it God has always been premature, and it remains premature today."

                  [?]Book dedications bot » 🤖 🌐
                  @dedication_bot@stefanbohacek.online

                  Against Sadomasichism: A Radical Feminist Analysis, edited by Robin Ruth Linden, Darlene R. Pagano, Diana E. H. Russell & Susan Leigh Star

                  To women who are striving to end power disparities both in their intimate relationships and in the world at large. D.E.H.R. D.R.P.

                  Alt...To women who are striving to end power disparities both in their intimate relationships and in the world at large. D.E.H.R. D.R.P.

                    [?]Revista Almiar » 🌐
                    @margencero@pixelfed.social

                    🧟‍♂️ «Fantasmas futuros», relato por Karla Santelices Jiménez
                    👀 https://margencero.es/margencero/fantasmas-futuros-karla-santelices/
                    ⌚Tiempo aprox. de lectura: 10 min
                    🔖 #relato #cuento #cuentos #literatura #literaturaactual #narrativas #ficciones #revistaalmiar #revistasdeliteratura #margencero #lector #lectores #ytúquélees #almiar #cultura #lecturas #lecturasrecomendadas #books #writing #literature #humanities

                    🧟‍♂️ «Fantasmas futuros», relato por Karla Santelices Jiménez 👀 https://margencero.es/margencero/fantasmas-futuros-karla-santelices/ ⌚Tiempo aprox. de lectura: 10 min

                    Alt...🧟‍♂️ «Fantasmas futuros», relato por Karla Santelices Jiménez 👀 https://margencero.es/margencero/fantasmas-futuros-karla-santelices/ ⌚Tiempo aprox. de lectura: 10 min

                    [?]Isaac Asimov » 🤖 🌐
                    @CuratedAsimov@mastodon.social

                    "People don't stop things they enjoy doing just because they reach a certain age. They don't stop playing tennis just because they turn 40, they don't stop with sex just because they turn 40; they keep it up as long as they can if they enjoy it, and learning will be the same thing."

                      [?]Walt » 🌐
                      @astralcomputing@bookstodon.com

                      Born this day: 06/18/1957
                      Richard Powers is an American novelist whose works explore the effects of modern science and technology. Generosity: An Enhancement (2011) was nominated for the Arthur C. Clarke Award.

                      en.wikipedia.org/wiki/Richard_


                      @books @scifi @Scifiart @sciencefiction

                      astralcomputing.com

                      Generosity: An Enhancement by Richard Powers. The book cover features a vibrant, abstract design with a warm color palette. The title, "generosity," is written in a large, stylized, lowercase serif font across the upper third of the cover. The letters are multi-colored, transitioning from yellow on the left to cyan, then purple on the right. Below the title, the subtitle "AN ENHANCEMENT" is printed in a smaller, sans-serif, all-caps font in a light yellow color. The author's name, "RICHARD POWERS," is prominently displayed in the lower half of the cover, using the same large, multi-colored, serif font as the title, with colors transitioning from yellow to cyan to purple. At the very bottom, the text "WINNER OF THE NATIONAL BOOK AWARD" is written in a small, white, sans-serif, all-caps font. The background is a vertical gradient that shifts from a deep, saturated red on the left edge to a bright, warm orange in the middle, and finally to a pale yellow on the right. Overlaid on this gradient are large, soft-edged, translucent circular shapes in shades of pale yellow and white, creating a bokeh effect. These circles are concentrated on the right side of the cover, some overlapping and others appearing more distinct. The light appears to emanate from the right side, making the yellow and white circles appear luminous against the orange and red background. The overall composition is abstract and luminous, with no recognizable objects, people, or textures.

                      Alt...Generosity: An Enhancement by Richard Powers. The book cover features a vibrant, abstract design with a warm color palette. The title, "generosity," is written in a large, stylized, lowercase serif font across the upper third of the cover. The letters are multi-colored, transitioning from yellow on the left to cyan, then purple on the right. Below the title, the subtitle "AN ENHANCEMENT" is printed in a smaller, sans-serif, all-caps font in a light yellow color. The author's name, "RICHARD POWERS," is prominently displayed in the lower half of the cover, using the same large, multi-colored, serif font as the title, with colors transitioning from yellow to cyan to purple. At the very bottom, the text "WINNER OF THE NATIONAL BOOK AWARD" is written in a small, white, sans-serif, all-caps font. The background is a vertical gradient that shifts from a deep, saturated red on the left edge to a bright, warm orange in the middle, and finally to a pale yellow on the right. Overlaid on this gradient are large, soft-edged, translucent circular shapes in shades of pale yellow and white, creating a bokeh effect. These circles are concentrated on the right side of the cover, some overlapping and others appearing more distinct. The light appears to emanate from the right side, making the yellow and white circles appear luminous against the orange and red background. The overall composition is abstract and luminous, with no recognizable objects, people, or textures.

                        [?]The Vulgar Tongue » 🤖 🌐
                        @TheVulgarTongue@zirk.us

                        GEE. It won't gee; it won't hit or do, it does not suit or fit.

                        A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

                        --
                        @histodons

                        Image imitating a page from an old document, text (as in main toot): GEE. It won't gee; it won't hit or do, it does not suit or fit. A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

                        Alt...Image imitating a page from an old document, text (as in main toot): GEE. It won't gee; it won't hit or do, it does not suit or fit. A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

                          [?]Walt » 🌐
                          @astralcomputing@bookstodon.com

                          Weird Tales vol 11 number 02 (February 1928) - featured story: THE GHOST TABLE by Elliot O'Donnell.


                          O'Donnell
                          @books @scifi @Scifiart @sciencefiction

                          astralcomputing.com

                          Cover art by C. C. Senf.

                          Weird Tales vol 11 number 02 (February 1928) - featured story: THE GHOST TABLE by Elliot O'Donnell. Cover art by C. C. Senf. The tagline reads The Unique Magazine. Other contributors listed are H. P. Lovecraft, Ray Cummings, Seabury Quinn, Frank Owen, and Wilfred Talman. John Martin Leahy is also listed. The cover price is 25¢, with the note 30¢ IN CANADA. An artist signature is visible in the bottom right corner of the illustration, though the text is illegible. The illustration depicts a man and a woman in an indoor setting. The man has dark hair and wears a dark brown coat. He holds a silver-colored handgun in his right hand, pointing it toward the left. His left arm is wrapped around the waist of a woman. The woman has blonde, curly hair and wears a light blue, sleeveless dress. Her right arm is raised with her $hand$ open, and her left arm rests against the man's chest. Behind the man, a dark, black creature with a long neck and a snout, resembling a large feline or serpent, emerges from the lower left. The creature's head is positioned near the center of the frame, facing right with its mouth open. In the upper left, a small, dark green plant sits in a light-colored pot on a brown pedestal. The background includes a white wall and a vertical green curtain on the right. The floor is covered by a red rug with dark patterns. The entire scene is framed by a thick red border.

                          Alt...Weird Tales vol 11 number 02 (February 1928) - featured story: THE GHOST TABLE by Elliot O'Donnell. Cover art by C. C. Senf. The tagline reads The Unique Magazine. Other contributors listed are H. P. Lovecraft, Ray Cummings, Seabury Quinn, Frank Owen, and Wilfred Talman. John Martin Leahy is also listed. The cover price is 25¢, with the note 30¢ IN CANADA. An artist signature is visible in the bottom right corner of the illustration, though the text is illegible. The illustration depicts a man and a woman in an indoor setting. The man has dark hair and wears a dark brown coat. He holds a silver-colored handgun in his right hand, pointing it toward the left. His left arm is wrapped around the waist of a woman. The woman has blonde, curly hair and wears a light blue, sleeveless dress. Her right arm is raised with her $hand$ open, and her left arm rests against the man's chest. Behind the man, a dark, black creature with a long neck and a snout, resembling a large feline or serpent, emerges from the lower left. The creature's head is positioned near the center of the frame, facing right with its mouth open. In the upper left, a small, dark green plant sits in a light-colored pot on a brown pedestal. The background includes a white wall and a vertical green curtain on the right. The floor is covered by a red rug with dark patterns. The entire scene is framed by a thick red border.

                            Stan Stewart aka muz4now boosted

                            [?]Solar Phasing » 🌐
                            @solarphasing@mastodon.social

                            Illustration "Les Lapins" (1868). Engraving by Gustave Doré for The Fables De La Fontaine.

                            imgur.com/gallery/illustration

                            Illustration "Les Lapins" (1868). Engraving by Gustave Doré for The Fables De La Fontaine.

                            Alt...Illustration "Les Lapins" (1868). Engraving by Gustave Doré for The Fables De La Fontaine.

                            [?]Assoc for Scottish Literature » 🌐
                            @scotlit@mastodon.scot

                            Rain is the focus of the National Library of Scotland’s forthcoming major exhibition, opening 19 June. Rain is deeply embedded in many facets of Scottish society – from agriculture & whisky to fashion & culture & identity – & the exhibition will showcase a sample of the Library’s wide holdings

                            media.nls.uk/news/major-summer

                              [?]Assoc for Scottish Literature » 🌐
                              @scotlit@mastodon.scot

                              I love all films that start with rain:
                              rain, braiding a windowpane
                              or darkening a hung-out dress
                              or streaming down her upturned face…

                              —Don Paterson, “Rain”
                              Published in RAIN (Faber, 2010)

                              faber.co.uk/product/9780571251

                              Don Paterson Rain I love all films that start with rain: rain, braiding a windowpane or darkening a hung-out dress or streaming down her upturned face; one big thundering downpour right through the empty script and score before the act, before the blame, before the lens pulls through the frame to where the woman sits alone beside a silent telephone or the dress lies ruined on the grass or the girl walks off the overpass, and all things flow out from that source along their fatal watercourse. However bad or overlong such a film can do no wrong, so when his native twang shows through or when the boom dips into view or when her speech starts to betray its adaptation from a play, I think to when we opened cold on a starlit gutter, running gold with the neon of a drugstore sign and I’d read into its blazing line: forget the ink, the milk, the blood – all was washed clean with the flood we rose up from the falling waters the fallen rain’s own sons and daughters and none of this, none of this matters.

                              Alt...Don Paterson Rain I love all films that start with rain: rain, braiding a windowpane or darkening a hung-out dress or streaming down her upturned face; one big thundering downpour right through the empty script and score before the act, before the blame, before the lens pulls through the frame to where the woman sits alone beside a silent telephone or the dress lies ruined on the grass or the girl walks off the overpass, and all things flow out from that source along their fatal watercourse. However bad or overlong such a film can do no wrong, so when his native twang shows through or when the boom dips into view or when her speech starts to betray its adaptation from a play, I think to when we opened cold on a starlit gutter, running gold with the neon of a drugstore sign and I’d read into its blazing line: forget the ink, the milk, the blood – all was washed clean with the flood we rose up from the falling waters the fallen rain’s own sons and daughters and none of this, none of this matters.

                                [?]Book dedications bot » 🤖 🌐
                                @dedication_bot@stefanbohacek.online

                                Mucus in My Pineal Gland by Juliana Huxtable

                                To Herculine, Georges, LaDosha & piccaninny punks

                                Alt...To Herculine, Georges, LaDosha & piccaninny punks

                                  [?]Izaskun Gracia Quintana » 🌐
                                  @IzaskunGraciaQuintana@mastodon.world

                                  Qué buenísimo es esto, gente 🖤🖤🖤

                                  Fotografía en color de la novela «Lo que somos ahora», de May Sarton

                                  Alt...Fotografía en color de la novela «Lo que somos ahora», de May Sarton

                                    [?]Revista Almiar » 🌐
                                    @margencero@mastodon.social

                                    🧟‍♂️ «Fantasmas futuros», relato por Karla Santelices Jiménez
                                    👀 margencero.es/margencero/fanta
                                    ⌚Tiempo aprox. de lectura: 10 min
                                    🔖#relato

                                    🧟‍♂️ «Fantasmas futuros», relato por Karla Santelices Jiménez 👀 https://margencero.es/margencero/fantasmas-futuros-karla-santelices/ ⌚Tiempo aprox. de lectura: 10 min

                                    Alt...🧟‍♂️ «Fantasmas futuros», relato por Karla Santelices Jiménez 👀 https://margencero.es/margencero/fantasmas-futuros-karla-santelices/ ⌚Tiempo aprox. de lectura: 10 min

                                    [?]Book dedications bot » 🤖 🌐
                                    @dedication_bot@stefanbohacek.online

                                    Social Security Works For Everyone!: Protecting and Expanding America’s Most Popular Social Program by Nancy J. Altman and Eric R. Kingston

                                    To the late Robert M. Ball (1914-2008), whose enduring legacy continues to improve the lives of many millions of people every day. Social Security was his calling. For seven decades, he tirelessly devoted his extraordinary intellectual, political, organizational, and personal gifts to advancing Social Security, which he understood to be an instrument of social justice, human dignity, and civility.

                                    Alt...To the late Robert M. Ball (1914-2008), whose enduring legacy continues to improve the lives of many millions of people every day. Social Security was his calling. For seven decades, he tirelessly devoted his extraordinary intellectual, political, organizational, and personal gifts to advancing Social Security, which he understood to be an instrument of social justice, human dignity, and civility.

                                      [?]Assoc for Scottish Literature » 🌐
                                      @scotlit@mastodon.scot

                                      The Battle of Waterloo was fought , 18 June, 1815. Walter Scott visited the battlefield shortly after; his 1816 book PAUL’S LETTERS TO HIS KINSFOLK contains one of the earliest accounts of the aftermath, & is an important early example of war journalism

                                      1/3

                                      theconversation.com/walter-sco

                                        [?]Assoc for Scottish Literature » 🌐
                                        @scotlit@mastodon.scot

                                        “The field was so much covered with blood, it appeared as if it had been flooded…”

                                        —in 2023, Prof Tony Pollard brought to light an account of the battle’s immediate aftermath. The Scottish merchant Thomas Ker arrived early enough to see the dead & dying still on the battlefield. The Ker collection, made up of letters & a hand-written book, was donated by his family in 2018 to the University of Glasgow.

                                        2/3

                                        gla.ac.uk/news/archiveofnews/2

                                          [?]Assoc for Scottish Literature » 🌐
                                          @scotlit@mastodon.scot

                                          “I have been Eighteen times since that awful day.” the Ker papers, relic collecting, and the origins of battlefield tourism at Waterloo

                                          Prof Tony Pollard’s article on Thomas Ker’s Waterloo papers, & on relic collecting & the origins of battlefield tourism, is available on Open Access via the Journal of Conflict Archaeology

                                          3/3

                                          tandfonline.com/doi/full/10.10

                                            [?]Poloniousmonk » 🌐
                                            @Uair@autistics.life

                                            I'd like to suggest a little-read book. "A Portrait of the Artist as an Old Man" by Joseph Heller. It's his last book, and about an octogenarian novelist who'd peaked young and never recaptured the frisson. In his twilight, he's attempting to write a sex farce. Is it anywhere near "Catch-22"? No. But it is very poignant. It's short. Worth the read.

                                              Evan Prodromou boosted

                                              [?]Project Gutenberg » 🌐
                                              @gutenberg_org@mastodon.social

                                              5 of Agatha Christie’s Works You Won’t Be Able to Put Down

                                              Don’t miss out on this list of bestselling Agatha Christie works, which remain unrivaled in the murder mystery genre.

                                              thecollector.com/agatha-christ

                                              Christie at PG:

                                              gutenberg.org/ebooks/author/451

                                              Agatha Christie in a play at Cockington Court in 1912 - picyrl.com. She is wearing a large, elaborate fabric turban. It is heavily textured and trimmed with a strand of beads or pearls across her brow. Her dress is light-colored and long-sleeved with loose, flared cuffs. A darker, open vest is layered over the top. A beaded necklace hangs down close to her waist.

                                              Alt...Agatha Christie in a play at Cockington Court in 1912 - picyrl.com. She is wearing a large, elaborate fabric turban. It is heavily textured and trimmed with a strand of beads or pearls across her brow. Her dress is light-colored and long-sleeved with loose, flared cuffs. A darker, open vest is layered over the top. A beaded necklace hangs down close to her waist.

                                                [?]Blair » 🌐
                                                @EnglishTeacher@pixelfed.social

                                                For this week’s #ThursdayBooksandBeer I’m reading the long-awaited new novel by Romy Ash, Mantle. The new book, which could be loosely categorised as cli-fi, comes 13 years after her debut novel was shortlisted for the Miles Franklin Award. I’ve paired it with a ‘One Ugly Mutha’ Hazy DIPA from Bonehead which speaks to the book’s theme of nature fighting back. “I’m not interested in the fossils; I’m interested in the rock. The fossil is simply the rock’s memory.” #reading #literature #clifi #craftbeer

                                                  [?]Isaac Asimov » 🤖 🌐
                                                  @CuratedAsimov@mastodon.social

                                                  "The best way to describe anyone is to give an example of the kind of thing he would do."

                                                    [?]Book dedications bot » 🤖 🌐
                                                    @dedication_bot@stefanbohacek.online

                                                    Model Home by Rivers Solomon

                                                    For my children, and all children

                                                    Alt...For my children, and all children

                                                      [?]Project Gutenberg » 🌐
                                                      @gutenberg_org@mastodon.social

                                                      There can be no sin committed from love – the radical ethics of Héloïse

                                                      by Prashanti Aswani, Adam D’Arpino, Abigail Tulenko

                                                      aeon.co/videos/there-can-be-no

                                                      Books by Abelard and Heloïse at PG
                                                      gutenberg.org/ebooks/author/54
                                                      gutenberg.org/ebooks/author/38

                                                      Transcription: Wherein are written how the scholar Peter Abelard forgot his learning and became a lover, altho the price he paid was great: and how the beautiful Heloise in desiring to acquire knowledge from Abelard learned of all lessons the greatest, from the greatest master of all, to wit, Love: and how she prized it most highly, altho it brought her both shame and sorrow. The love letters of Abelard and Heloise by Peter Abelard and Héloïse Other: Ralph Fletcher Seymour https://www.gutenberg.org/cache/epub/40227/pg40227-images.html

                                                      Alt...Transcription: Wherein are written how the scholar Peter Abelard forgot his learning and became a lover, altho the price he paid was great: and how the beautiful Heloise in desiring to acquire knowledge from Abelard learned of all lessons the greatest, from the greatest master of all, to wit, Love: and how she prized it most highly, altho it brought her both shame and sorrow. The love letters of Abelard and Heloise by Peter Abelard and Héloïse Other: Ralph Fletcher Seymour https://www.gutenberg.org/cache/epub/40227/pg40227-images.html

                                                        [?]The Vulgar Tongue » 🤖 🌐
                                                        @TheVulgarTongue@zirk.us

                                                        Hi!, I'm a bot posting selections from Francis Grose’s 1785 “Dictionary Of The Vulgar Tongue”, a compilation of slang terms, the coded language of the underclass and the demi-monde.

                                                        [18th-century-content warning: possible racism, animal cruelty, homophobia, sexism, slut-shaming. Let me know of any problems.]

                                                        Montage of dictionary items posted by this account

                                                        Alt...Montage of dictionary items posted by this account

                                                          [?]Fictograma.com » 🌐
                                                          @fictograma@mastodon.social

                                                          Un ruido de pasos descalzos despierta a Iván en mitad de la noche. En el pasillo se encuentra consigo mismo, atrapado en un bucle infinito de terror y dobles. Para romperlo, toma una decisión sangrienta...
                                                          fictograma.com/d/3252-pies-des

                                                            [?]Isaac Asimov » 🤖 🌐
                                                            @CuratedAsimov@mastodon.social

                                                            "Of all the books I have ever worked on, I think Asimov's Guide to Shakespeare gave me the most pleasure, day in, day out. For months and months I lived and thought Shakespeare, and I don't see how there can be any greater pleasure in the world—any pleasure, that is, that one can indulge in for as much as ten hours without pause, day after day indefinitely."

                                                              [?]Fictograma.com » 🌐
                                                              @fictograma@mastodon.social

                                                              En mis 21 años solo fui 3 veces al aeropuerto.
                                                              La tercera vez me tocó interrogar a un argentino que llegó en un vuelo… desde una Argentina que no existe...
                                                              fictograma.com/d/3253-eventos-

                                                                [?]The Vulgar Tongue » 🤖 🌐
                                                                @TheVulgarTongue@zirk.us

                                                                BUGABOE. A scare-babe, or bully-beggar.

                                                                A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

                                                                --
                                                                @histodons

                                                                Image imitating a page from an old document, text (as in main toot): BUGABOE. A scare-babe, or bully-beggar. A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

                                                                Alt...Image imitating a page from an old document, text (as in main toot): BUGABOE. A scare-babe, or bully-beggar. A selection from Francis Grose’s “Dictionary Of The Vulgar Tongue” (1785)

                                                                  [?]Fictograma.com » 🌐
                                                                  @fictograma@mastodon.social

                                                                  "La presión espacial, Cap. XV: Entrevista": 🔥Teo esperaba un grupo terrorista de verdad… y se encontró con neones cutres, coches robados “por la causa” y un reclutador con bigotillo que le ofrecía...
                                                                  fictograma.com/d/3255-la-presi

                                                                    [?]Rolando Enrique Rosales Murga » 🌐
                                                                    @siradramelekallighieri@mastodon.social

                                                                    ¿Por qué devoras? Poema de Rolando Enrique Rosales Murga. Sus poemas en su voz.

                                                                    [?]Rolando Enrique Rosales Murga » 🌐
                                                                    @siradramelekallighieri@mastodon.social

                                                                    Questions. Poem by Rolando Enrique Rosales Murga. His poems in his own voice.

                                                                    [?]Rolando Enrique Rosales Murga » 🌐
                                                                    @siradramelekallighieri@mastodon.social

                                                                    Preguntas. Poema de Rolando Enrique Rosales Murga. Sus poemas en su voz.

                                                                    [?]Rolando Enrique Rosales Murga » 🌐
                                                                    @siradramelekallighieri@mastodon.social

                                                                    Vortex of Verse. Poem by Rolando Enrique Rosales Murga. Sus poemas en su voz.

                                                                    [?]Rolando Enrique Rosales Murga » 🌐
                                                                    @siradramelekallighieri@mastodon.social

                                                                    Vorágine verso. Poema de Rolando Enrique Rosales Murga. Sus poemas en su voz.

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